By Anahit Behrooz Censor is currently available to stream via MUBI as part of their programme The New Coven: A Female Horror Renaissance, and Culture Club readers can get 30 days’ free streaming. To buy the film on DVD/Bluray or for other streaming services,…
By Ania Ostrowska Kangyu Garam is one of three Korean women filmmakers who are speaking as part of Sheffield Hallam’s free online conference South Korean Women’s Cinema, running Thurs 23 – Sat 25 Sept. Kangyu will be in conversation with Jeanie…
By Selina Robertson Club des Femmes screening Pumping Iron II: The Women at the Rio Cinema on Sun 6 June as part of Lesbian Camp: Yes It’s F**cking Political.
By Hannah Hutchings-Georgiou Claudia Andujar: The Yanomami Struggle is showing at the Barbican Curve until 29 August 2021. Click here for more information and to book tickets (student, NHS staff and unwaged concessions are available).
By Anna Walsh Variations is available in the UK in paperback from Influx Press(£9.99).
Travels with Tove is screening exclusively on the ICO streaming platform from 9-23 July.
By Annette Kuhn Pumping Iron II: The Women screened at the Rio Cinema as part of Club des Femmes’ Lesbian Camp: Yes It’s F**cking Political weekender, 5-6 June 2021, with an introduction by Sam McBean which you can now watch on Vimeo with…
By Clara Bradbury-Rance But I’m a Cheerleader 20th Anniversary Director’s Cut had its UK theatrical premiere at the Rio Cinema as part of Club des Femmes’ Lesbian Camp: Yes It’s F**cking Political weekender, 5-6 June 2021, with an introduction and Q&A with…
By Cathy Brennan Just Livin’: Yes It’s F**cking Political shorts programme screened at Rio Cinema as part of Club des Femmes’ Lesbian Camp: Yes It’s F**cking Political weekender, 5-6 June 2021 + on the Rio Player from after the screening until 12 June 11.59…
By Jacob Engelberg Editor’s note: This is part of a series of reflections on the political aesthetics of 1980s inclusive queer feminisms, alongside Jack Thompson’s essay on REBEL DYKES, Irenosen Okojie’s meditation on A PLACE OF RAGE, and Lucy Howie’s reading of A…